Sky jackson as captin marvel12/24/2023 ![]() ![]() Instead, Downey performed the scene himself and the footage was adjusted through digital compositing. Unlike with Douglas, Lola didn’t require a body double to pull of the visual. Instead of a regular flashback, this scene of young Tony Stark from Captain America: Civil War is a reconstructed holographic memory, designed by present-day Tony Stark to help cope with trauma - in this case, the last moment Tony saw his parents before Howard and Maria Stark died in a car crash. as Tony Stark Marvel Studios and Marvel Studios “We recreated that with Dax in this chair and had him re-perform the action exactly, and then you can effectively take the three-dimensional version of the young Douglas and superimpose it back onto the normal Michael Douglas.” Captain America: Civil War (2016) they then had Dax sit in a chair, and we projected the light that we’d captured from the set during Michael’s performance,” Ant-Man visual effects supervisor Jake Morrison explained to The Credits. “We took Michael and did a three-dimensional laser scan of his face, so we had his head in a box, as it were. ![]() There’s an amazing amount of footage, so that was very helpful.”ĭe-aging Douglas also required the use of a body double, Dax Griffin, who also provided more reference for Lola because of his “striking resemblance of Michael when he was about 40.” The process required shooting and re-shooting both actors. “There’s not speculation or family photos to try to figure out what the actor looked like 30 years ago. “In the case of Michael Douglas, there are lots of references,” Marvel President Kevin Feige told Fandango at the time. ![]() The VFX company is also responsible for pre-Super Soldier Serum Steve Rogers in Captain America and aged-up Peggy Carter in Captain America: The Winter Soldier, and it utilized some of this technology for the scene - as well as footage from Michael Douglas’ late-1980s films for reference. Lola Visual Effects de-aged Douglas almost three decades for the opening sequence. In it, Michael Douglas’s Hank Pym marches up to Howard Stark to confront him about stealing technology. The opening scene of Ant-Man takes place in 1989, 26 years before the movie’s main storyline. Michael Douglas as Hank Pym Marvel Studios and Marvel Studios Here’s a look back at the steps that brought the company to the soon-to-be-revolutionary work in Captain Marvel. Lola VFX is also behind the four MCU films that utilize the technique. After enamoring Hollywood, the 2008 film The Curious Case of Benjamin Button made the technology more Oscar-worthy, and subsequent attempts at the visual effect ( Tron: Legacy, The Hobbit films) kept the R&D department working steadily into the MCU years. The MCU first pulled off de-aging for Michael Douglas’s Hank Pym in Ant-Man, but the effect has deeper roots in Marvel history: the visual effects company Lola VFX first de-aged Magneto and Professor X in the Kevin Feige-produced X-Men: The Last Stand, for the flashback in which their younger selves recruit Jean Grey. ![]() Marvel has been toying around with this technique for years, but only now do the the various scenes play like incremental, visual experiments that built towards Captain Marvel’s feature-length use. Jackson and 56-year-old Clark Gregg were digitally “de-aged” about 20 to 30 years in order to appear as their younger selves. To achieve the believable throwback, both 69-year-old Samuel L. One of the standout elements of Captain Marvel’s first trailer was the younger versions of SHIELD stalwarts Nick Fury and Phil Coulson, seen running through the 1990s during their pre-Avengers-assembling days. ![]()
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